The Mediterranean islands have occupied, at least since antiquity, a central position within the political and economic imperatives of numerous civilizations. These military powers will establish various forms of maritime control over the Mediterranean space. From the Minoans to the Genoese and Venetian Thalassocracies, as well as the Ottoman Empire, the Mediterranean Sea became the scene of countless battles for control of its islands and surrounding waters (even still today). When thought as a separate entity, the island often refers to the idea of isolation, but it takes on a whole new meaning when it becomes plural: when we speak of the Mediterranean islands, we think of battles but also of commerce and cultural exchange. Likewise, the water that surrounds the islands can be both a vector of isolation and a way for communication. In the early modern period, cartographic representations of these islands, coveted by foreign powers but also inhabited by different cultures and religions, are still linked to power relations and are part of the attempts of different powers to assert their territorial legitimacy.
The question of the territorialization of the seas, which began in the 17th century with Hugo Grotius, already exists, however, through early modern cartographic representations, whether we speak of isolarii, nautical charts, “Geographies” or wall paintings. To control an island is also to control the surrounding waters: in the same way, to represent an island is also to represent the maritime space that surrounds it, whether it is empty, filled with hatching, figurative details or simply colored. What is the relationship between the island and the surrounding waters? Does the latter make it an enclosed place, a fortified wall, a place of exchange? What about the islands of the Indian Ocean, or those of the New Territories? Is this plural idea of the relationship between the island and the sea to be found in the representations of other maritime spaces at the same time?
Topics may include, but are not limited to:
• Questions around the notion of insularity between the years 1400-1700
• Urban space through chorographic representations and urban views of island cities
• The power relations between the political powers seen through Early Modern cartography
• Maritime space and its territorialization
•The notion of power through insular cartography
Please send your abstract (200 words), along with a short CV, a PhD or other terminal degree completion date (past or expected), full name, current affiliation and email address by August 13th to the organizer: email@example.com
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PhD Candidate in Art History
University of Montreal
Call for papers
Deadline: August 13, 2020
Posted: August 07, 2020